

The Films You Need to Watch in 2026 (And the Interiors They Inspire)
In 2026, let your interiors moodboard begin on screen. These five films are immersive worlds where colour, composition and object placement feel quietly intentional. Watch for painted walls that set the emotional temperature, fabrics that catch the light, and rooms styled with a restrained confidence: a few standout pieces, thoughtfully spaced, doing more than a crowded shelf ever could. There are motifs worth borrowing too - florals that feel modern, metals that read softly rather than shiny, and palettes that balance sweetness with edge. Consider each film a design reference point: part escapism, part study in how atmosphere is built.


1. Poor Things
Poor Things is a surreal, subversive film that reimagines coming of age through a fantastical, hyper-stylised lens. Its visual world is unapologetically constructed, with distorted proportions, theatrical colour and a deliberate sense of unreality. Interiors feel experimental rather than polished - curved furniture, exaggerated silhouettes and unexpected finishes sit alongside powdery pastels and inky blacks. Each scene reads like a study in contrast: softness against structure, innocence against excess. For interiors inspiration, think sculptural seating, offbeat decorative objects, blush and pistachio tones paired with high-gloss surfaces, and rooms that feel playful but considered. The result is an imaginative, slightly uncanny aesthetic that invites curiosity rather than perfection.


2. Babylon
Babylon is a decadent, chaotic portrait of early Hollywood, where excess and ambition spill into every frame. Its interiors are richly layered and unapologetically dramatic - heavy drapery, dark woods, burnished metals and surfaces that feel touched by smoke, champagne and time. Colour is deep and enveloping: oxblood reds, inky blacks, warm ambers and flashes of gold, offset by low lighting and plush textures. Objects are abundant but deliberate, creating rooms that feel alive rather than overstyled. For interiors inspiration, think velvet upholstery, statement lamps, sculptural glassware and tables dressed for lingering evenings. It’s maximalism with intention - atmospheric, indulgent and just a little unhinged.


3. The Phoenican Scheme
The Phoenician Scheme is a film of precision and restraint, where every frame feels measured and intentional. Its interiors lean quietly graphic - clean lines, muted neutrals and a palette that sits somewhere between stone, parchment and soft smoke. Spaces feel intellectual rather than decorative, with objects chosen for their form and proportion rather than excess. There’s a subtle tension throughout: warmth held back, colour used sparingly, symmetry occasionally disrupted. For interiors inspiration, think travertine tones, matte ceramics, low-profile furniture and sculptural pieces that reward a second look. The mood is calm but purposeful, rooms designed to be studied as much as they are lived in.


4. Mickey 17
Mickey 17 is a quietly unsettling, futuristic film where interiors feel stripped back and purpose-led, with just enough detail to suggest humanity beneath the surface. Spaces are pared down and functional, softened by diffused light and a restrained palette of cold greys, off-whites and washed metals. Texture becomes the focus, matte finishes, brushed steel, smooth ceramics, with objects used sparingly and always with intent. There’s a sense of repetition and control, broken occasionally by something warm or personal. For interiors inspiration, think minimal rooms built around light, proportion and negative space, punctuated by a single sculptural object or tonal accent that gently disrupts the calm.


5. Anora
Anora is an intimate, raw portrait of modern romance, where interiors feel lived-in, immediate and slightly undone. Spaces are layered rather than styled, with a mix of soft lighting, worn textures and objects gathered over time. Colour appears naturally - muted reds, browns, faded blacks - often through upholstery, bedding and everyday details rather than statement pieces. There’s a closeness to the rooms, a sense of proximity and messiness that feels honest rather than curated. For interiors inspiration, think low lighting, mismatched lamps, rumpled linens and small personal objects left in view. The result is relaxed, unpolished and emotionally charged, rooms that feel occupied, not arranged.