“Whatever our souls are made of, his and mine are the same,” Cathy Earnshaw declares in Emily Brontë’s Wuthering Heights. If that sentiment were an interior, it might look like this: an all-pink bedroom that feels flushed with emotion, not sweetness. As Emerald Fennell’s new film pulls the story back into the cultural bloodstream, glimpses of the sets and costumes suggest a bold, surreal fever dream of Gothic romance. Cathy’s bedroom is the purest expression of it, a masterclass in pink that reportedly nods to Margot Robbie’s own skin tones, with layered textures and uncanny, intimate detailing that leaves the space saturated with her presence.