

Culture
Turning Grief And Joy Into Ceramics with Yamine Daaboul
By Anna Wise
19.03.2026
Eid is a time of homecoming - of tables laid with care, familiar flavours and the particular joy of being exactly where you're supposed to be. We sat down with ceramicist Yamine to talk about what the celebration means to her, the Levantine food that always tastes like home, and why this year, nothing matters more than that first coffee. She also opens up about the deeply personal pieces that marked a turning point in her practice, the duality of grief and happiness that runs through her work, and what it means to make objects that live inside other people's most meaningful moments.
Interview with Yamine
For anyone discovering you here for the first time, tell us who you are, what you make and what drives you to make it.
My name is Yamine :) I’m an artist and photographer based in London. My pottery story began in 2021 during lockdown after I lost my beautiful mum to breast cancer before I turned 30. Having lost my dad when I was 8 years old, also to cancer, I was very attached to my mum and the grief was unbearable. In an effort to help me heal through creativity, I taught myself how to make ceramics at home. I grew fascinated at how I could make a functional piece with just my hands but importantly I also soon realised that it was helping heal my grief by becoming an outlet for my pain. My thoughts spiralled less when I was creating and I felt joy again, which I didn’t think was achievable. It’s since become one of the biggest loves of my life; everyone who owns one of my ceramics has a very special piece of my heart and healing journey in their home. I draw inspiration for my pieces from my personal life stories as well as my love for experimentation with colour and form. I hope my story will inspire those struggling to keep believing.
For anyone who'd love to know more about Eid - what is it, and what does it mean to you?
Eid marks the end of Ramadan, a holy month in which muslims across the world fast from dawn to sunset daily. It’s a profound and reflective time in our calendar as we focus on fostering more gratitude and empathy. I always come away from Ramadan feeling infinitely more grateful for not just access to food and water but for the everyday ‘’boring’’ moments of joy too, things we call ‘’normal’’ such as a walk in the sun, a roof over my head, a warm bed, the ability to create for a living.
Eid is almost here - are you a plan-everything-in-advance person or beautiful last-minute?
As I work freelance, beautiful last minute gatherings and decisions are much more common for me but that doesn’t take away how special those occasions are.
Take us inside the ultimate Eid table - whose house, what's on it, who's in charge of what?
I make a bangin’ fattoush, my family all love and request that I make it, it’s a type of salad very popular in the Levant. We usually have a beautiful table full of comforting Levantine food :)
Is there a dish that only ever appears at Eid in your family - the one that would cause genuine upset if it didn't show up?
I wouldn’t say so, we’re a very foodie orientated family and culture so we don’t need a special reason or occasion to create great food.
Do you think growing up with the rhythms of the Islamic calendar - Ramadan, Eid, the sense of anticipation and then release - shaped the way you think about making things? About patience, or restraint, or celebration?
Patience most definitely, as a ceramicist patience is a huge factor in my work as creating ceramics is a long multi-faceted process which I deeply enjoy. Ramadan mostly teaches me to be more empathetic and grateful for the privilege I experience in my day to day life.
There's a quiet confidence to your work - a sense that every decision has been made deliberately. How would you describe your design language, and how has it developed?
I’m at a very happy stage in my journey with ceramics now where I’m able to freely express my vulnerability and grief in my work. It’s a very organic process, my heart ultimately leads the way to what I want to create and vocalise with my work and my brain then tries to find out how to achieve it in the most respectful way. Having lost both of my parents, it’s normal that my work is very emotional and evocative because ultimately my heart is seeking comfort in creation, however it did take me a few years to find the confidence to share this grief through my art with others.
Your work lives in people's homes, on their tables, in their daily rituals. Do you ever think about the specific moments a piece might be part of - a first coffee of the morning, a dinner with people you love?
Customers often share the reasons and meaningful stories behind why they bought a specific piece from me (for either themselves or a loved one) which always makes me deeply emotional. I’m honoured when anyone buys something from me because it’s a small part of my soul.
What's the most useful thing you've learned about running a small creative business that nobody tells you at the beginning?
I think there is an assumption that creating art for a living is all bells and whistles. There is an insane amount of admin and organisation that goes on behind the scenes, especially if you work alone like I do. Self discipline is integral to allow it to be a rewarding practice for you. I don’t ever want creating art to feel like a ‘’chore’’ to me, especially as it’s so extensively linked to my grief so there is a lot I do to protect myself from burnout.
What are you working on right now, and what's exciting you?
I’m working on multiple ceramic collections at the same time, one of which is named ‘’Together’’ and focuses on the connection between different cultures and languages around the world. The colours, textures and sense of renewal felt through spring is exciting me greatly :)
Quick Fire
First thing you reach for on Eid morning?
This year it will definitely be coffee. I’m 5 weeks - no coffee (!) - including 1 week prior to Ramadan because I was weaning myself off and 4 weeks of fasting. I’m so excited for that first taste.
The ceramic you're most proud of making?
I’m proud of all of my art as a part of my soul exists in all of my work. My first edition in Arabic we say plates were the first deeply vulnerable pieces I created, they’ve given me the strength and comfort to create from the duality of happiness and grief that exists within me.
A meal that always means home?
Any Levantine food, especially dishes that my mum used to cook specifically for me or ones she taught me.
A maker or artist you think everyone should know about?
I really love @subwaytakes, I think art exists in so many forms in life and it’s definitely an art form to allow people the space to feel safe to express themselves so freely.
The object in your home you'd never part with?
There is a lot more than just one, which I consider a privilege in itself - love exists in so many pieces I own. I have a birth plate gifted to me from my parents when I was born. It’s incredibly sentimental to me as I lost my dad aged 8 and I don’t have many gifts from my father to hold on to like most adults do.
Outfit repeater or something new for Eid?
I will be repeating. I love purchasing a statement piece every now and then but I’m not a fan of excessive consumption in general.
Last thing that genuinely stopped you in your tracks?
A bit random (but on point?!), I’m a Formula 1 girl (since circa 2007 - thank you Lewis!) and the overtaking battle between Lewis Hamilton and Charles LeClerc during the Shanghai GP last weekend had me gasping.
One thing on your wishlist right now - creative or otherwise?
I want to do an artist residency in Syria this summer, across different cities, around 3 weeks of exploring, photography and research for a new ceramics collection. It depends a lot on if the region is safe to travel to by the summer.
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