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Home and Interiors

Room by Room with Laura of Palmer & Stone

By Laura Parkinson
17.04.2026

Good renovation advice is almost always retrospective. You have to make the mistakes first. Room by Room is a new series from Glassette where we ask designers and homeowners to walk us through a single space: what wasn't working, what they spent too much on (and whether it was worth it), and what they'd tell you before you pick up a sledgehammer.

We're starting in the lower ground floor of an East London Victorian townhouse, where interior designer Laura Parkinson of Palmer & Stone (@palmer_and_stone) transformed a dark, damp warren of rooms into a kitchen and dining space that opens onto a garden terrace. It took six months, stretched the budget more than once, and produced some hard-won lessons about lighting, decision fatigue, and why you should never underestimate the cost of digging.

Each instalment goes room by room, question by question - the real numbers, the near-rows, and the one thing guests always comment on. No polished retrospectives. Just honest accounts from people who've been through it.

Quick snapshot
Your name and a one-line description of what you do
Laura Parkinson, Founder of East London interior design studio Palmer & Stone
The room type
LG Kitchen/dining
Property type and age
A Victorian townhouse
Budget band
Absolute money pit
Timeline
6 months
The ‘vibe’ in 3 words
Our studio ethos - ‘A collected aesthetic’
The Before
What wasn’t working about the room originally?
The house was split into flats by a previous owner and the basement was an unloved, dark and damp warren of rooms. The old extension had been built straight against the garden wall so was totally unsuitable as a living space! We didn’t have the money to touch this area initially but once our family grew, we took the plunge and reinstated this floor back into the main house.
What was the biggest constraint?
Budget. The digging took us way over our anticipated spend so we had to finish it in stages.
What was the one thing you absolutely had to change?
The connection to the garden. The previous set up meant it was an effort to get into the garden but now being able to have the doors open out onto the terrace means we spend so much more time in the garden.
The Brief
What feeling did you want the room to have?
We live in a really urban area so we wanted it to feel like a total escape from the madness outside as well as being a welcoming place that can handle lots of entertaining of family, friends and kids.
What were your non-negotiables?
High quality timber glazed doors and windows both internally and externally. These totally elevate the feel of the whole space as well as functioning beautifully.
Any key inspiration references?
The main initial inspiration was the idea of a New York Brownstone for the rear elevation and I was obsessed with having a wood panelled ‘shop front’ facade instead of brick. The doors to the garden then became the focal point with the rest of the interior working back from there. My inspiration for our home usually comes from spotting something random at an antiques shop or fair and starting the collecting process from there, but designers I love range from the classic, clean lines by Ben Thompson (who designed Heckfield Place) to the layered feeling created by Thurstan (who recently completed the new Zetter in Bloomsbury).
Image: Heckfield Place
Image: Zetter
The Nosey Questions
What nearly caused a row?
After really pushing my husband for it; the marble worktop which I hated when it first arrived. It felt too heavily veined against my dusty unfinished building site which feels quite ridiculous now because I absolutely loved it as soon as the space was decorated.
What did you overspend on - and was it worth it?
Lighting and yes, 100%. You need at least three to four layers of lighting and beautiful, natural finishes on lights can make or break the room.
What did you assume would be cheaper than it was?
The digging down - this isn’t something to be taken lightly and really stretched us but it was definitely worth it for the final result.
What’s the one thing guests always comment on?
They don’t usually comment on one thing, it’s more about how it all works together and the unexpected feeling of space potentially due to the double-height area we created above the stairs.
What do you secretly wish you’d done differently?
Brick walls externally around the terrace rather than render. This was a budget decision but over time the upkeep of the render will probably work out the same. It’s also VERY bright in summer which is lovely but quite intense.
Image: Chris Nook
Image: Chris Nook
The Room Receipts
Most expensive item:
Bespoke kitchen units
Most annoying cost:
Tanking, but it has totally transformed the feel of the whole LG floor.
Best value buy:
Our dining table which we got for £150 on FB Marketplace after 4 months of failed searches.
The dark horse (something that surprised you in a good way):
The fact that we didn’t need a new sofa. We got a mattress topper and loads of cushions for an old Ikea sofa which has worked perfectly for the last four years with two crazy boys running around. We will get there in time but there’s just no point in us making the house so precious that we can’t enjoy it as a family.
The “don’t tell my partner” purchase:
I’m not sure he knows exactly how much our pendant light was above the dining table from Fosbery Studio but it is still one of my favorite things four years on.
Image: Chris Nook
Image: Chris Nook
The Lessons
What are the three biggest lessons you learned renovating this room?
1: Trust your gut. I didn’t want a skylight over the dining table and it was 100% the right thing to do. 2: Remember the vision. It’s totally normal to like lots of different styles and can be easy to get sidelined but stick to your mood board for a considered end look and feel. 3: You will get decision fatigue so plan and source in advance. You don’t want to be making ‘on the spot’ decisions on a day where you’re tired of the dust and you’ve lost the love.
What would you tell someone about to start a similar project?
It’s boring, but Plan. Make a spreadsheet and then create digital and physical moodboards. They really don’t need to be fancy but add in pics of all the pieces you like and see how they feel together on a page. Where possible, order samples of all the paint colours, fabrics and hard materials like worktops and hardware and lay it all out on a tray. Every time you need to make a decision, come back to these boards and check that each new choice elevates your previous decisions rather than competing.
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