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Home & Interiors

Room by Room

By Patricia Rodi
25.09.2026

Good renovation advice is almost always retrospective. You have to make the mistakes first. Room by Room is Glassette's series in which we ask designers and homeowners to walk us through their spaces: what wasn't working, what they spent too much on (and whether it was worth it), and what they'd tell you before you pick up a sledgehammer.

For the latest instalment of Room by Room, we spoke to Patricia Rodi, founder of interior design studio Rodi Cécile, about the renovation of her 1860 Victorian villa. Previous owners had over-modernised it, with lowered ceilings hiding the original cornicing, blocked-up fireplaces, and open-plan spaces that left rooms darker rather than brighter. Since then the house has slowly been returned to itself: fourteen rooms reworked to hold family life and two working studios under one roof.

Three years in, with four rooms still to go, the project has had its share of surprises. There were builders' bills inflated by a remote location, fireplaces that cost far more than expected, and a boiler that gave up five days after moving in. Along the way, she learned to live with an old house before making big decisions and to protect original character wherever possible, because, in her words, "you can destroy a century of work in a few seconds".

From reinstated fireplaces and warm pools of lamplight to a kitchen repainted from muted green to brown-red, Patricia takes us through the decisions, splurges and lessons behind a home designed to feel as though it evolved over generations.

Quick snapshot
Your name and a one-line description of what you do
Patricia Rodi, founder of interior design studio Rodi Cécile and homewear designer.
The room type
A full house renovation - 14 rooms in total: six bedrooms, three bathrooms, two reception rooms, an office, kitchen and boot room. We still have four rooms to finish
Property type and age
A Victorian villa, built in 1860.
Timeline
Three years so far. Are you ever actually done with making a home?
The ‘vibe’ in 3 words
Eclectic, European, layered.
What wasn’t working about the room originally?
We took it on because it had been modernised too much. It was pretty sad to see. Lowered ceilings, covering beautiful original cornicing, blocked up fireplaces. A lot of the rooms had been opened up to create open-plan spaces, but architecturally it wasn’t super pleasing nor functional. So the aim was to bring back the Victorian character and restore it. To make the house feel like itself again, and working for our family, home and work life
What was the biggest constraint?
You can destroy a century of work in a few seconds, so you have to tread carefully. With an old house, you’re constantly uncovering things you didn’t know were there, and you have to make decisions around what to restore, what to reinstate and what to leave alone.
What was the one thing you absolutely had to change?
The layout. We wanted to reinstate more of the original plan and make the rooms feel connected again, rather than having a series of spaces that had been opened up and modernised over the years. I feel like we have been sold the idea that open-plan is the way to go to create bigger and better spaces, but I don’t think that is necessarily true. For example the north facing drawing room had been opened up to a south facing room. I get why it was done to create more visual space and light but it did the opposite. The drawing room felt really dark and cold. We added French doors to the opening, which made the two spaces feel connected yet separated.
The Brief
What feeling did you want the room to have?
I wanted the home to work as both a home and workspaces. Both myself and my partner, Patrick, needed our own studio so we wanted the home to feel collected, inspiring, warm, and comfortable - somewhere you could feel inspired to work, but relax at the end of the day. A place that feels as though it has evolved over generations rather than all being done at once.
What were your non-negotiables?
A big kitchen, and all new bathrooms.
Any key inspiration references?
We have a wast collection of antique furniture and art, so the design was grounded in our items and developed from that. It’s a mixture of Swedish, French and English interiors. I’m half French/Swedish and my Partner is English, so we both take a lot of inspiration from the places that we’ve been to and seen. I love midcentury lamps sitting alongside dark wooded, victorian furniture.
Image: Before
Image: After
The Nosey Questions
What nearly caused a row?
How to hang art! This is such a surprisingly contentious subject in our house. I like things a little more relaxed and unexpected, whereas my husband can be rather more… precise. He’ll get out the tape measure, whilst I would just hammer in a nail randomly. We have definitely had discussions about the exact position of a picture.
What did you overspend on - and was it worth it?
Builders, unfortunately - and no, it was not worth it! Because we live so remotely, everything is more complicated and more expensive than you expect. There’s always another delivery, another journey, another person who needs to come out to the house.
What did you assume would be cheaper than it was?
Fireplaces! I’m happy I source antique as part of my job, otherwise we wouldn’t have been able to do the renovation in the way we wanted! But I’d also add that pretty much anything involving an old house! You think, “We’ll just move that door” or “We’ll just reinstate that fireplace” and suddenly it becomes a much bigger job than you imagined. But fireplaces
What’s the one thing guests always comment on?
How cosy, calm and comfortable it is. It’s a pretty big house, but it feels connected, which I adore. You can be in completely different rooms but still feel that everyone is together.
What do you secretly wish you’d done differently?
I would have thought a bit more practically about the kitchen. I had a vision of what I wanted it to look like, and so before we even moved in I had designed it. At the time I was obsessed with a very muted pale green, but once we got it the room felt very “meeehh”. I quickly reprinted it to a brown/red and have since then added a kitchen island.
The Investment Piece
What made the room feel expensive?
The fireplaces. They completely change a room and give you that sense of history and permanence that you simply can’t fake.
Is there a specific detail that really elevates it?
Lighting. Having lots of different, warm pools of light rather than one bright ceiling light makes an enormous difference. I also love beautiful old hardware, think door handles, hinges, latches, and rounded switches - those little details that you touch every day.
The Receipts
Most expensive item:
Probably the building work rather than any one piece! Although there are a few antique finds that I’m deliberately not adding up…
Most annoying cost:
Re-gravelling the drive and a new boiler, which broke five days after we moved in (lucky us …!).
Best value buy:
Antiques. You can often find something completely unique for much less than a new piece of furniture.
The dark horse (something that surprised you in a good way):
Paint and wallpaper. It sounds so simple, but the right colour can completely transform a room. I’m always surprised by how much atmosphere you can create with colour alone.
The “don’t tell my partner” purchase:
Probably another antique painting. There is always room for one more painting… isn't there?
The Lessons
What are the three biggest lessons you learned renovating this room?
1. Don’t rush an old house. Live with it and understand it before making big decisions. 2. Keep the original character wherever you can. You can always add things, but once something historic is gone, it’s very difficult to get it back. 3. Don’t take the budget too literally. There will always be surprises, particularly in an old house! Have an extra pot to take from.
What would you tell someone about to start a similar project?
Do your homework, expect it to take longer and cost more than you think, and don’t try to make every decision at once. The best houses aren’t created in one go. Let them evolve, collect things along the way and, most importantly, make sure it feels like your home rather than a version of what you think a beautiful house is supposed to look like, or a Pinterest image.
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