Culture
Devil Wears Prada Characters As Interiors
By Anna Hale
01.05.2026
The Devil Wears Prada 2 is finally here, and we're taking the OG characters and imagining the homes they'd live in. So, which one are you?
Miranda Priestly
Miranda Priestly doesn't decorate, she curates. Her home is a study in controlled perfection: vast, pale rooms where every object has been chosen with the same exacting eye she turns on a poorly styled editorial. Think stripped-back panelling, monumental floral arrangements that are somehow both extravagant and severe, and furniture that whispers old money rather than screaming it. There is nothing cosy here, nothing accidental. The grandeur is inherited, the minimalism is intentional, and the overall effect is a space that is simultaneously breathtaking and deeply, deliberately unwelcoming.
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Andy Sachs
Andy Sachs didn't arrive with an aesthetic, she grew into one. Her space tells the story of someone who has moved through worlds and kept the best of each: a worn leather chair inherited from a Brooklyn apartment, art picked up from a market in Paris during fashion week, bookshelves that are actually read rather than styled. It's eclectic without being chaotic, elevated without being cold. There are fresh flowers on the table, not the architectural kind, just whatever looked good at the corner shop, and good light everywhere, because she finally figured out that that's the thing worth spending on. Miranda would find it charming in spite of herself.
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Emily Charlton
Emily Charlton has excellent taste and she will not apologise for it. Her home is the apartment she always knew she deserved, all blush tones and considered clutter, silk cushions thrown with the kind of precision that looks effortless and absolutely isn't. There are fresh peonies, always, and a vanity that would make a Parisian jealous. It's romantic without being saccharine, feminine without being fussy, and everything has been sourced with the same obsessive dedication she once applied to Miranda's schedule. London gave her the polish, fashion gave her the eye, and the result is a space that feels like falling in love with yourself.
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Nigel Kipling
Nigel Kipling's home is a love letter to everything - and he means everything. Walls upholstered in jewel-toned velvet, gallery hangs that defy logic and somehow work, a chaise longue that has seen more drama than most therapists. Every surface tells a story: a gilded mirror from an antiques fair in Bath, ceramics from a Tokyo side street, first-edition fashion books stacked beside a truly unreasonable number of candles. It is maximalism with scholarship behind it, excess with impeccable references. Where others see clutter, Nigel sees narrative. Where others see too much, he sees a room that finally has enough. He has spent thirty years watching other people's visions come to life - this space is entirely, unapologetically his own.
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